Monday 5 March 2012

Role of Women in Greek Tragedy


Women are depicted as villains, victims and heroes in Greek tragedies. Though women were considered insignificant to men, female characters are featured in many of the most famous Greek tragedies, according to Richeast.org. These characters give clues to historians about how women were perceived and treated in Greek society. The tragedies were a common theme in ancient Greek theater.


Villain

The character Clytemnestra is a noted Greek villain who murders her husband and his mistress in the play "Agamemnon". She took her husband over a crimson carpet that resembled a "sea of red blood" and then killed him in a bath. She is a brutal and treacherous woman with a "man's heart". Others in the play fear and hate her. Clytemnestra is also considered a victim because of her difficult past. For example, to win a war, she sacrificed her daughter to appease a goddess.


Heroine

Antigone, in the tragedy "Antigone", buries her brother despite a Creon law that forbids her to do so. Her brothers killed each other in war for their father's throne. One of the brothers is permitted by Creon law to be honored and buried, but the other is not. Antigone is so devoted to honoring the unburied brother that she is killed because of it. The act is a symbol of family loyalty. The audience is left to wonder if people should show loyalty first to their government or to their family.

 

Victim

In the play "The Women of Troy", Cassandra is depicted as a victim after successive tragic events. For example, she refused her body to the god Apollo who then curses her with the ability to see into the future. This is a curse because no matter what she sees, no one believes her. Her prophesy that Troy would be destroyed was ignored. When the battle of Troy was taking place, she looked for refuge in the Temple of Athena where she was raped.

 

Heroine, Villain and Victim

The character Medea in the play "Medea" is a hero, villain and a victim. She is a witch who is also the daughter of a sorcerer and her grandfather is a god. The narrative is a play on the roles of men and women. Medea followed her love interest, Jason, to Greece from her foreign land. When he falls in love with another woman, Medea murders her own children and then sends the mistress a poisonous dress to get back at Jason.


References

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